Dates use the first edition in the language and format shown where verified. Other entries retain their recorded work dates while we check them. Books without a confirmed date follow alphabetically.
English lecture typesetting combines single-column serif text with italic terms, clear subheadings and numbered footnotes. A full-page historical illustration faces a spacious lecture opening, while running heads and outer page numbers guide readers through the four talks.
This Karaite prayer book brings pointed Hebrew, Latin-script transliteration and English translation together on the page. We set the Hebrew and transliteration in paired columns, with the translation below, so readers can move between pronunciation and meaning. Red opening words, response symbols and distinct heading styles provide a consistent visual guide through blessings and songs of different lengths.
Typesetting of an illustrated autobiography, bringing personal recollections and photographs together in a readable narrative. Carefully placed images and captions sit alongside the text, preserving the flow of the story.
Arno Pro prose is combined with scientific diagrams, italic terminology and compact running heads. Full-page and inline illustrations explain the book’s examples, while chapter openings use a clear title hierarchy and dividing rule within the same restrained page design.
English and Hebrew typography in Arno Pro combines prayer commentary with inset quotations, compact notes and shaded reflection panels. A recurring ladder illustration marks progress through the Siddur, while heading levels and distinct source attributions organise the different kinds of text.
Biography typesetting in Arno Pro brings together narrative, personal letters and a photographic section. Captioned black-and-white images, numbered notes, indented quotations and compact lists distinguish the supporting material while preserving a consistent page design throughout Rabbi Bulka’s story.
This novel uses a restrained Arno Pro setting with a steady single-column measure. Indented dialogue, italic phrases and centred scene-break ornaments distinguish the narrative’s changes of voice and scene, while small running heads keep the page furniture unobtrusive.
Typesetting of a Hebrew prayer book for children. Generous type, highlighted instructions and clearly separated prayers support developing readers, with colour used to guide attention through the page.
Three-language typesetting brings cantillated Hebrew, pointed Aramaic and English translation together in successive text blocks. Arno Pro English, bold translation distinctions, compact footnotes and ribbon-shaped reading labels establish a clear hierarchy, while the introduction accommodates Hebrew quotations and transliterations.
The second volume maintains a coordinated Hebrew, Aramaic and English page design, distinguishing the cantillated Torah text, smaller pointed Targum and Arno Pro translation. Bold English phrases, numbered translation notes and ribbon-shaped reading markers guide the reader through sections of different lengths without separate facing-language columns.
A complex scholarly edition with side notes, run-on footnotes and endnotes. Custom scripts place the notes precisely, while specially created glyphs support the Hebrew and transliterated text. Different optical sizes of Garamond Premier Pro keep the visual weight of the main text and notes balanced.
The ecological commentary is set in Arno Pro with Requiem headings and ornaments. Small-cap section titles and italic Bible quotations distinguish the sources from the single-column discussion; inset quotations, numbered action lists and a compact two-column index give the reference material its own structure.
Arno Pro commentary is organised around italic Bible quotations and ornamented small-cap headings, with Requiem used in the heading system. Superscript source references, inset quotations and carefully set transliterations fit the continuous English text, while the back-of-book index uses two compact columns with hanging subentries.
English translation and Hebrew critical texts share a consistent serif design across this bilingual volume. Italic quotations, layered editorial notes and a multilingual bibliography distinguish the commentary from the source texts, while Hebrew folios retain the original section’s reading order.
Single-column Arno Pro typesetting brings together scientific discussion and Torah interpretation, with inset italic quotations, centred headings and compact running heads. A labelled map is integrated with the text, and separate name and subject indexes use two-column layouts with hanging entries.
English · OU Press / Ktav co-publication
Based on the thought and writings of Rabbi Norman Lamm
Typesetting of Torah studies bringing English exposition together with Hebrew sources. Marginal notes, quotations and carefully organised text blocks allow the argument and its supporting references to share the spread without losing clarity.
Typesetting of a Hebrew–French Bible with commentary. Scripture, translation, marginal notes and explanatory text are arranged in distinct zones, making a dense bilingual spread easier to navigate while retaining a coherent page design.
Typesetting of Hebrew prophetic readings with accompanying explanation. Distinct text sizes and an organised commentary layout help readers move between the biblical passage and its interpretation without losing their place.
Typesetting of a guide to Jewish law for regular study. Clear topic headings, well-spaced paragraphs and numbered notes help readers navigate the practical rulings and their supporting sources. [OU Press / KTAV]
This compact halachic companion uses Arno Pro body text with contrasting sans-serif headings. Fine rules, numbered questions and bold answer labels distinguish the short practical entries, while larger, lighter section openings mark the main divisions without crowding the page.
Warnock Pro reading text is paired with sans-serif headings and large drop capitals in these short halachic essays. Small-capital openings, italic transliterations and bracketed sources distinguish the text, while restrained rules, running titles and outer-foot folios organise the sequence.
This critical edition pairs Saadya Gaon’s Judeo-Arabic legal texts with Hebrew translations on facing pages. Our typesetting distinguishes the line-numbered originals, manuscript variants and explanatory notes. The appendix also accommodates reconstructed fragments in parallel columns, retaining editorial brackets and gaps in the surviving text.
English biblical and linguistic commentary set in Arno Pro, with centred chapter openings, drop capitals and running heads that distinguish each Psalm. Compact English–Hebrew word-origin tables sit alongside the prose analysis, with numbered footnotes below. The appendix and hanging-indent bibliography extend the reference structure across the first forty-one Psalms.
The second volume continues the Arno Pro setting for Psalms 42–72, combining single-column analysis with English–Hebrew word-origin tables. Centred chapter headings and drop capitals introduce each Psalm, while compact footnotes, italic transliterations and mirrored running heads support the scholarly text. A compendium and an appendix retain the same page structure with their own navigational headings.
Typesetting of a complex Hebrew work with several levels of explanation and references. Careful control of type size, spacing and text divisions keeps the principal text recognisable while accommodating a substantial scholarly apparatus.
Typesetting of a scholarly journal in Jewish studies. Dense academic prose, Hebrew passages, transliteration and extensive footnotes are organised into a consistent page structure that makes complex research easier to read and reference. [Hebrew Union College Press]
HUCA Volume 86 combines biblical and rabbinic scholarship in a compact journal format. Hebrew quotations, indented source passages and italic subheadings are integrated into the English prose, while numbered footnotes provide a separate reference layer. Mirrored running heads distinguish each article and contributor.
HUCA Volume 87 presents biblical, rabbinic and philosophical articles with multilingual quotations and dense source notes. Italic subheadings, numbered examples and indented passages provide structure within the single-column setting. A manuscript study also reproduces extended textual passages without losing the journal’s running-head and folio system.
HUCA Volume 88 ranges from historical and rabbinic analysis to an article opening and phonological examples. The journal typography integrates Greek and Hebrew with English, using centred titles, contributor lines and compact footnotes. Numbered examples and italic terms distinguish the linguistic material from the surrounding prose.
HUCA Volume 89 combines a translated historical study with legal scholarship and a tabulated survey of Jewish physicians. Chapter and article running heads guide readers through the longer contributions. The setting accommodates italic subheadings, multilingual references and multi-column tables with explanatory notes.
HUCA Volume 90 brings biblical analysis, rabbinic interpretation and contemporary cultural scholarship into the same journal setting. Indented Hebrew and English passages, song lyrics and italic subheadings sit within the single-column articles. Compact footnotes and paired running heads retain a consistent structure across contributions.
HUCA Volume 91 combines rabbinic narrative, biblical interpretation and historical translation in a single-column journal format. Subheadings and indented passages establish article structure, while Hebrew quotations remain legible within the English prose and notes. Mirrored running heads identify each contributor and study.
HUCA Volume 92 integrates English articles with Hebrew quotations, translated reference material and verse extracts. Its compact typography distinguishes italic subheadings, numbered sections and indented poetry from continuous prose. Separate footnote blocks and mirrored running heads keep the different contributions navigable.
HUCA Volume 93 combines comparative rabbinic tables with historical and legal articles. Open table columns align categories of traditions, while English prose integrates Hebrew quotations and substantial footnote blocks. Italic and small-cap subheadings distinguish sections without interrupting the journal’s consistent running heads and folios.
HUCA Volume 94 accommodates biblical scholarship, rabbinic analysis and an edited Hebrew poem. Single-column articles use italic subheadings and compact notes, while the poem is presented in aligned Hebrew and English columns. Running heads and outer folios connect the varied material within the journal.
HUCA Volume 95 carries biblical and historical articles through a consistent serif journal setting. Capitalised subheadings, indented source passages and pointed Hebrew quotations establish structure within the English prose. The Hallel study also sets Hebrew psalm text apart from its English discussion, with compact notes below.
HUCA Volume 96 combines multilingual rabbinic scholarship with an illustrated study of the Rothschild Pentateuch. The journal setting accommodates pointed Hebrew, indented source passages, manuscript photographs and multi-line article openings. Captions, compact footnotes and mirrored running heads distinguish the different layers of material.
This HUCA double issue brings English and Hebrew articles into one journal record. The single-column serif setting combines block quotations, compact numbered notes and mirrored running heads. The Hebrew section includes a ruled comparison of manuscript readings, with its own Hebrew folios.
The second HUCA double issue combines English and Hebrew scholarship with manuscript illustrations, verse extracts and comparative tables. Its serif article setting uses centred subheadings, separate footnote blocks and running heads that distinguish contributors from article titles. The Hebrew section retains right-to-left reading order and Hebrew folios.
English and Hebrew scholarly typesetting combines substantial footnotes, inset source quotations and manuscript-variant discussion with a steady Arno Pro reading text. Historical illustrations and maps retain their own captions, and a detailed two-column index accommodates subentries, italic titles and references to notes.
This contemporary history uses an Arno Pro text setting with clear chapter and prologue openings. Short dialogue, inset quotations and italic phrases sit within the main narrative, while numbered notes are collected by chapter in a separate compact reference section.
Typesetting of an illustrated account of the Ben Ish Chai’s life. English narrative, Hebrew quotations, documentary images and captions share the page, with a clear hierarchy that connects the biography to its historical material.
Typesetting of Norman Finkelstein’s study of modern poetry and the Jewish literary imagination. Poetry extracts are distinguished from the critical discussion, while a consistent hierarchy keeps the scholarly text and notes easy to follow. [Hebrew Union College Press]
Typesetting of a Hebrew edition of Psalms with commentary. The biblical verses remain prominent above the denser explanatory text, with a consistent hierarchy that supports both continuous reading and detailed study.
Arno Pro scholarly typesetting combines English analysis, Hebrew quotations and transliterated terms. Compact footnotes, indented source passages and a two-column index give Moshe Idel’s study a consistent reference structure while retaining the different scripts and levels of text.
For this bilingual poetry collection, we set Hedva Harechavi’s Hebrew poems opposite Linda Stern Zisquit’s English translations. The facing-page layout accommodates the two reading directions while preserving the poems’ line breaks and stanza spacing. Pointed Hebrew, restrained running heads and generous margins give each language room to breathe without losing the connection between the two texts.
Typesetting of an illustrated Hebrew edition of the Mishnah for younger readers. Colour, clear divisions and explanatory illustrations help distinguish the source text from the teaching material and make each page easier to explore.
This multigenerational memoir combines a restrained serif narrative with family photographs, archival letters and captioned documents. Centred chapter openings, small-cap opening lines, italic glossary entries and chapter-grouped notes organise the book’s personal history and reference material.
English scholarly typesetting in Arno combines centred chapter openings and drop capitals with a steady single-column text. Italic transliterations, occasional Hebrew terms, inset quotations and numbered footnotes support the discussion, while a compact two-column subject index provides a separate reference structure.
The English translation combines illustrated section dividers with a restrained Arno Pro text setting. Small-cap speaker labels, inset source passages, italic subheadings and numbered notes distinguish the conversations and commentary, while textured opening pages give each reading its own identity.
This Hebrew–English poetry collection pairs each Hebrew poem on the left with Rachel Tzvia Back’s English translation on the right. The page design preserves short verse lines, stanza breaks and deliberate white space, while the concluding notes use a denser prose setting with clear poem headings and references.
Interview typesetting distinguishes italic questions from David Harris’s responses within a steady Arno Pro text setting. A captioned photographic section, small running heads and separately spaced anecdote lists preserve the different rhythms of conversation, biography and supporting material.
Lea Goldberg’s Hebrew poems and Rachel Tzvia Back’s English translations are set on facing pages with ample white space and carefully separated verse lines. The book also brings together a photographic frontispiece, full-page drawings, an introduction mixing prose and bilingual verse, and a compact notes section.
Typesetting of a book exploring Buddhism and the search for enlightenment. An uncluttered page, comfortable line lengths and restrained headings give the reflective prose a calm, consistent reading rhythm.
We typeset this scholarly collection of Geonic sources with a distinct hierarchy for Talmud folios, Hebrew and Aramaic passages, and editorial notes. Bold folio headings and lighter source openings distinguish the entries, while numbered references and compact footnotes support close comparison of the texts. Running heads identify the tractate and the folios covered on each opening.
Typesetting of Hebrew studies on the weekly Torah portion. Biblical quotations use the Koren Tanakh font, with Masterfont Frankreuhl for the commentary and Narkis Classic headings. Short chapters and illustrated openings give each discussion a clear identity.
Hebrew lines from Ahot Ketana are highlighted in narrow shaded bands above the English discussion. Arno Pro commentary, inset translations, numbered source notes and short verse blocks give this study of the Sephardic piyyut a clear hierarchy across both scripts.
Bilingual poetry typesetting places the pointed Hebrew original beside its English translation on each page. Short lines and stanza breaks remain distinct in the two reading directions, with numbered sections, compact translator’s footnotes and generous space around the verse.
Typesetting of a substantial academic study of Kabbalah. Arno’s small-text optical size keeps the footnotes readable; hanging note numbers and the absence of a dividing rule create a clean, orderly transition from argument to references. [KTAV]
For this collection of Rabbi Joseph B. Soloveitchik’s teachings on prayer, edited by Jay Goldmintz, we set English commentary alongside Hebrew quotations and transliterated terms. Bilingual subheadings identify the passages under discussion, shaded extracts distinguish selected teachings, and numbered footnotes remain clearly separated below the main text. Running heads and a consistent hierarchy help readers navigate a page with several layers of material.
Typesetting of a multilingual Bible edition combining Hebrew scripture, Russian text and commentary. The different reading directions and text hierarchies are coordinated within a consistent layout, with marginal illustrations supporting the discussion.
Typesetting of a novel with an unusually extensive system of short footnotes. Hanging note numbers align the annotations neatly, while careful spacing around italic words and superscript references keeps the reading rhythm smooth. [KTAV]
Arno Pro typesetting gives this novel a continuous reading texture while accommodating dialogue, italic transliterations and explanatory footnotes. Large grey chapter headings and inset correspondence mark changes in the narrative, and the supplied monochrome frontispiece faces a restrained ornamental title page.
English Torah essays set in Arno, with Hebrew quotations and their English translations integrated into a single-column page. Paired running heads identify the book of the Torah and the current essay, while parasha names, essay titles and fine rules establish the hierarchy. The contents and glossary use aligned entries, clear indents and restrained changes of weight.
Typesetting of a scholarly work on Renaissance Jewish thought. A carefully structured page keeps the main discussion distinct from the substantial footnotes, making the historical text and its supporting scholarship easy to consult together.
Typesetting of Avi Jorisch’s Hebrew edition of Thou Shalt Innovate, exploring Israeli inventions and their impact. Chapter openings, photographs and a consistent Hebrew text layout guide readers through the stories behind the innovations. [Gefen Publishing House]
Scholarly typesetting in Legacy Serif brings English essays, Hebrew texts and manuscript comparisons into a consistent page design. Aligned comparison images, editorial symbols, compact footnotes and a two-column index give the volume’s varied reference material a clear hierarchy.
A single-column Arno text setting for Zev Bar Eitan’s anthology of Abravanel’s Torah commentary. Centred portion headings, small-cap essay titles and fine rules distinguish the short discussions, with italic biblical quotations introducing the commentary. Mirrored running heads, outer folios and carefully spaced lists carry the structure through the five books of Moses.
Scholarly typesetting in Arno Pro integrates English analysis with Hebrew and Aramaic source passages. A three-column comparison aligns manuscript readings, while chapter openings, compact footnotes and a multilingual bibliography distinguish the book’s different layers of text.
Typesetting of short reflections on the weekly Torah readings. Opal distinguishes the biblical source passages from the Arno commentary, creating a clear visual conversation between the text and its interpretation.
A consistent hierarchy separates biblical extracts, context, commentaries and derash in this English Torah commentary. Arno Pro text, small-capital commentator names, bold lead-ins and small ornaments distinguish the sections; centred portion openings, italic epigraphs and a hanging-entry bibliography complete the design.
Memoir and historical research share an Arno Pro page design with photographs, document reproductions and compact captions. Inset quotations, numbered notes and a hanging-entry bibliography distinguish the supporting evidence from Jacob Boas’s narrative without changing the main text measure.
Arno Pro poetry typesetting preserves the poems’ separate lines, irregular lengths and open white space. Italic poem titles and occasional italic phrases distinguish voices and headings, while the restrained running heads and folios remain separate from the verse.
A compact Arno Pro text setting gives Robin Assa’s interviews and practical guidance a consistent rhythm. Short paragraphs, indented dialogue, bulleted advice and restrained running heads keep this text-led book clear without relying on illustrations.