Ben Herskowitz

Set in Arno. Single-column narrative uses indented paragraphs, bold subheadings and italic terms, with small-cap chapter running heads and outer folios. Superscript references lead to endnotes.

Set in Minion. A restrained single-column setting uses indented paragraphs, clearly separated dialogue and centred page numbers. Chapter openings have small-cap labels above a fine rule and a dropped capital; running heads alternate the book title and author’s name.

Set in Arno. Single-column commentary uses indented quotations, italic Hebrew terms and compact numbered footnotes beneath short rules. Small-cap running heads and lettered sections divided by fine rules organize the discussion.

This Hebrew edition of Faith at the Brink combines single-column narrative with captioned historical images and numbered footnotes. Bold chapter openings and alternating running heads establish the hierarchy; italic Latin quotations, Hebrew translations and mixed-direction references sit within the right-to-left page structure.

Set in Brioso. Single-column text uses indented paragraphs, right-aligned dates and inset addresses and signatures to distinguish the letters. Colour photographs sit within the page measure; italic running heads and centred folios maintain a consistent page structure.

Typesetting for an English study of Genesis, with vocalised Hebrew terms embedded in the prose. Coloured verse extracts, indented quotations, numbered arguments and a ruled comparison table distinguish the source material. Compact footnotes sit below fine rules; chapter openings combine an italic number, a short rule, a bold title and a drop capital. The English text and notes are set in Arno, with vocalised Hebrew in Frank Rühl.

Set in Arno with Cronos headings and captions. Single-column text combines colour photographs, diagrams and italic captions with bold subsection headings. Smaller images sit beside shaped text; chapter openings use larger headings and coloured dropped initials, with small-cap running heads and outer folios.

Set in Arno. Single-column text uses indented paragraphs and extended italic passages to distinguish extracts. Small-cap running heads and outer folios provide navigation; superscript references connect the text to endnotes.

Set in Arno for English and Koren Tanakh for pointed Hebrew, with Shefa headings and Chaparral directions. Facing pages align the two reading directions; fine rules separate commentary from the main text. Illustrations, centred section headings, small capitals and italic instructions establish the hierarchy.

Set in Minion. Indented source quotations, italic commentary and roman explanatory text create a layered single-column page. Small-cap headings, ruled footnotes, running heads and centred folios provide consistent navigation.

Set in Arno, with condensed Myriad headings, drop capitals and running heads. Single-column text uses italic quotations and indented passages, with notes, reference lists and a two-column index given separate typographic structures.

Set in Arno. A single-column text layout incorporates photographs, document facsimiles and maps, with numbered captions and consistent running heads. Footnotes sit beneath a short rule, while image-led spreads retain generous outer margins.

Set in Arno, with Joanna italic running heads. The single-column layout combines indented paragraphs, photographs with contrasting captions, and occasional footnotes. Full-page photographs sit opposite text, while smaller images are integrated within the text column.

Set in Arno, with Caflisch Script for letter transcriptions. Document facsimiles and photographs sit alongside a single-column text layout. Chapter openings combine large italic titles, fine rules and dated subheadings, while small-cap running heads maintain continuity.

Set in Koren Tanakh for pointed Hebrew liturgy and Shefa for commentary and headings. Larger ritual text sits above compact commentary, separated by fine rules. Illustrated openings combine the text with numbered discussion questions, while longer essays, bold subheadings and small running heads maintain a consistent hierarchy.

Set in Shefa, with Typograph chapter headings. Right-to-left Hebrew text uses a steady single-column measure, indented paragraphs and compact bold subheadings. Chapter letters sit between fine rules above larger titles; dropped opening letters and occasional italic quotations distinguish the chapter openings.