Dates use the first edition in the language and format shown where verified. Other entries retain their recorded work dates while we check them. Books without a confirmed date follow alphabetically.
This Karaite prayer book brings pointed Hebrew, Latin-script transliteration and English translation together on the page. We set the Hebrew and transliteration in paired columns, with the translation below, so readers can move between pronunciation and meaning. Red opening words, response symbols and distinct heading styles provide a consistent visual guide through blessings and songs of different lengths.
English translation and Hebrew critical texts share a consistent serif design across this bilingual volume. Italic quotations, layered editorial notes and a multilingual bibliography distinguish the commentary from the source texts, while Hebrew folios retain the original section’s reading order.
Typesetting of a Hebrew–French Bible with commentary. Scripture, translation, marginal notes and explanatory text are arranged in distinct zones, making a dense bilingual spread easier to navigate while retaining a coherent page design.
Typesetting of Hebrew prophetic readings with accompanying explanation. Distinct text sizes and an organised commentary layout help readers move between the biblical passage and its interpretation without losing their place.
This critical edition pairs Saadya Gaon’s Judeo-Arabic legal texts with Hebrew translations on facing pages. Our typesetting distinguishes the line-numbered originals, manuscript variants and explanatory notes. The appendix also accommodates reconstructed fragments in parallel columns, retaining editorial brackets and gaps in the surviving text.
For this bilingual poetry collection, we set Hedva Harechavi’s Hebrew poems opposite Linda Stern Zisquit’s English translations. The facing-page layout accommodates the two reading directions while preserving the poems’ line breaks and stanza spacing. Pointed Hebrew, restrained running heads and generous margins give each language room to breathe without losing the connection between the two texts.
The English translation combines illustrated section dividers with a restrained Arno Pro text setting. Small-cap speaker labels, inset source passages, italic subheadings and numbered notes distinguish the conversations and commentary, while textured opening pages give each reading its own identity.
This Hebrew–English poetry collection pairs each Hebrew poem on the left with Rachel Tzvia Back’s English translation on the right. The page design preserves short verse lines, stanza breaks and deliberate white space, while the concluding notes use a denser prose setting with clear poem headings and references.
Lea Goldberg’s Hebrew poems and Rachel Tzvia Back’s English translations are set on facing pages with ample white space and carefully separated verse lines. The book also brings together a photographic frontispiece, full-page drawings, an introduction mixing prose and bilingual verse, and a compact notes section.
Bilingual poetry typesetting places the pointed Hebrew original beside its English translation on each page. Short lines and stanza breaks remain distinct in the two reading directions, with numbered sections, compact translator’s footnotes and generous space around the verse.
Typesetting of a multilingual Bible edition combining Hebrew scripture, Russian text and commentary. The different reading directions and text hierarchies are coordinated within a consistent layout, with marginal illustrations supporting the discussion.