Dates use the first edition in the language and format shown where verified. Other entries retain their recorded work dates while we check them. Books without a confirmed date follow alphabetically.
The short stories and reflections use single-column prose, with tall condensed headings and generous space above each opening. Italic epigraphs and separated prayer paragraphs distinguish the meditative passages, while alternating running heads and centred folios guide the reader. Illustrated section openers pair Cheryl Gunsher’s drawings with calligraphic titles.
The English narrative uses single-column prose, indented quotations and numbered footnotes beneath fine rules. Photographic plates combine archival images and manuscript reproductions with individual captions. A three-column comparative glossary aligns transliterations and meanings above explanatory notes, while the bibliography uses hanging entries and italic source titles.
A ruled three-column timeline organises dates, names and explanations before the main text. The chapters use single-column prose, italic terminology and centred small-cap subheadings, with small-cap book-title running heads facing italic chapter heads. The glossary combines italic headwords with upright definitions and hanging continuations; Roman preliminary folios give way to Arabic page numbers in the main text.
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Individual volumes and editions are listed separately. The collection grows as we add more of our work.