Books with Venetian 301 recorded in their typography or layout notes. This includes text, headings and other documented uses; unrecorded font usage is not inferred.
Dates use the first edition in the language and format shown where verified. Other entries retain their recorded work dates while we check them. Books without a confirmed date follow alphabetically.
Retypesetting of the parashah sections for this paperback, within David Willner’s original book design. The principal fonts are Venetian 301 for English commentary and Jerushalmi for Hebrew margin sources. Broad text columns, inset translations, narrow ruled source columns and small-cap citations distinguish the commentary and references.
Retypesetting of the parashah sections for this paperback, within the original design by David Willner. Broad English text columns combine commentary with indented translations, italic dialogue and occasional Hebrew lines. Narrow ruled outer columns carry Hebrew sources and attributed quotations; small-cap citations, superscript note references and prominent outer folios keep the different reading levels distinct. The principal fonts are Venetian 301 for English commentary and Jerushalmi for Hebrew margin sources.
Retypesetting of the parashah sections for this paperback, within the original design by David Willner. The English commentary combines indented source translations with Hebrew extracts and short quotations in narrow outer margins. Vertical rules, chapter labels and outer folios define the page structure; small-cap citations and numbered chapter-end notes distinguish the references. The principal fonts are Venetian 301 for English commentary and Jerushalmi for Hebrew margin sources.
Retypesetting of the parashah sections for this paperback, retaining David Willner’s original book design. English discussion, italic translations and narrow marginal Hebrew sources form distinct layers. Chapter openings add display titles, drop initials and pale Hebrew lettering; staggered verse quotations and compact small-cap citations retain their own rhythm within the commentary. The principal fonts are Venetian 301 for English commentary and Jerushalmi for Hebrew margin sources.
Retypesetting of the parashah sections for this paperback, within the original design by David Willner. English commentary is interwoven with indented translations, italic quotations and small-cap source references. Hebrew extracts occupy narrow outer columns separated by fine rules; prominent outer folios and chapter labels guide the reader, with numbered notes collected at chapter ends. The principal fonts are Venetian 301 for English commentary and Jerushalmi for Hebrew margin sources.
Retypesetting of the parashah sections for the paperback edition, retaining the original book design by David Willner. English commentary is accompanied by Hebrew source passages and short italic quotations in narrow outer margins. Indented extracts, small-cap source credits, fine vertical rules and outer running heads and folios distinguish the different layers of text. The principal fonts are Venetian 301 for English commentary and Jerushalmi for Hebrew margin sources.
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