Shefa

Set in Koren Tanakh for pointed Hebrew liturgy and Shefa for commentary and headings. Larger ritual text sits above compact commentary, separated by fine rules. Illustrated openings combine the text with numbered discussion questions, while longer essays, bold subheadings and small running heads maintain a consistent hierarchy.

Set in Shefa for Hebrew and Arno for Latin-script text. Single-column pages use bold subheadings, italic emphasis and alternating running heads. Shaded inset passages span facing pages, while numbered chapter openings, epigraphs and a question-and-answer appendix distinguish the different kinds of text.

Set in Shefa, with Typograph chapter headings. Right-to-left Hebrew text uses a steady single-column measure, indented paragraphs and compact bold subheadings. Chapter letters sit between fine rules above larger titles; dropped opening letters and occasional italic quotations distinguish the chapter openings.

Set in Shefa, with Geula headings and Arno for Latin-script names and titles. Hebrew single-column narrative combines indented paragraphs, running heads and historical photographs with captions. Latin-script names and titles are integrated into the right-to-left text; documentary song texts preserve their original lineation, and a separate Latin-script bibliography uses hanging entries.

Set in Shefa. The first Hebrew volume of The History of Christian Zionism pairs single-column narrative with captioned historical collages. Ornamented chapter openings use centred epigraphs and dropped Hebrew letters; italic English titles, inset quotations and alternating author and book-title running heads retain a clear hierarchy.

Set in Shefa. The second Hebrew volume continues the ornamented chapter openings, dropped letters and captioned historical photographs. Right-to-left narrative incorporates italic Latin titles and quotations; documentary appendices use centred headings and indented lists, followed by a Latin-script bibliography with bold author names and hanging entries.