We have been working with Raphaël since March 2018 and find him a joy to work with. He is extremely knowledgeable and produces high-quality work. Raphaël combines two important features when it comes to typesetting: he’s both very accurate and also very creative. He uses his experience to help you make the right decisions to produce the best-looking product that you can. His suggestions are innovative and creative, but he keeps his eye on the ball and doesn’t take your project off track or waste time. Also, his knowledge of the different standards of typography for different countries is a huge asset when typesetting in different languages.
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Books from Derek Prince Ministries
46 books
Dates use the first edition in the language and format shown where verified. Other entries retain their recorded work dates while we check them. Books without a confirmed date follow alphabetically.
This English study course is set in Arno Pro, with bold condensed sans-serif headings distinguishing the lessons, instructions and review sections. Hanging question numbers and indented subparts organise the exercises, while long ruled spaces leave room for written answers. Three-column answer keys align responses and marks; italic quotations, drop capitals and compact running heads provide further structure.
The reading pages use single-column serif text with inset letters and italic emphasis. Small-cap running heads, pointing-hand ornaments and outer folios identify each spread. Study sections combine numbered questions and fill-in lines with separately headed application, memory-verse, faith-response and answer sections; hanging indents keep the question and answer numbers clear.
English memoir typesetting in Arno combines a single-column narrative with full-page monochrome photographic chapter openers. Indented dialogue and italic quotations sit within generous page margins, while small-cap running heads, outer folios and restrained section headings guide the reader through the story and epilogue.
Single-column prose is organised with bold subheads, small-cap running heads and centred folios. Inset Scripture quotations carry separate right-aligned references, while italics distinguish emphasis and transliterated terms. A study section between horizontal rules sets out numbered application questions, a memory verse and a faith response under italic headings.
The memoir uses a narrow single-column text measure with indented paragraphs. Light uppercase sans-serif running heads distinguish the book and chapter titles, while sans-serif folios are centred beneath the text. Scripture appears both within the narrative and as inset italic quotations, with compact references and small-cap translation labels kept close to the passages.
Compact English teaching-book typesetting in Arno Pro uses a single-column serif text, bold serif section headings and inset italic Scripture passages. Chapter openings pair centred capital labels with large italic titles; references sit beside or beneath the quotations. Small-cap running heads and outside top folios distinguish the ordinary text pages.
Each daily reading begins with a centred date, a bold sans-serif title and a short theme statement. Outlined initials introduce the serif prose; inset italic Scripture passages sit above a bold closing prayer and a smaller source note. Weekly divider pages use generous space, a short rule and a flourish around the theme and its quotations, with folios at the outer foot of reading pages.
Handwritten chapter titles are paired with light capital chapter numbers and a pale decorative emblem, contrasting with the serif reading text. Plain sans-serif subheads, hanging bullet summaries and inset italic scripture organise the practical material. Alternating running heads and centred folios provide consistent navigation.
Calligraphic chapter titles sit beneath compact sans-serif chapter numbers. Indented serif prose gives way to italic prayers and proclamations with hanging continuation lines and right-aligned scripture references. Small numbered footnotes, spaced capital running heads and centred folios keep supporting references and navigation distinct.
Written-out chapter numbers sit above calligraphic titles and large dropped initials. Inset italic scripture passages retain superscript verse numbers, upright bracketed explanations and compact version labels at the right. Indented serif commentary runs beneath alternating book and chapter heads, with centred folios.
The teaching uses single-column serif prose, centred capital subheads and small-cap book and chapter running heads. Scripture quotations appear as inset italic blocks, with references placed at their ends; shorter quotations remain within the paragraphs. Italic transliterations, a short line-broken verse and centred folios fit into the same measured text area.
Inset italic scripture passages punctuate a continuous serif text column, with short verse lines and longer quotations kept visually separate from the commentary. Paragraph indents mark the prose, while small-cap running heads alternate the book title with Thanksgiving, Praise or Worship. Centred folios sit beneath the uncluttered pages.
English Christian teaching typesetting in Arno Pro pairs a single-column serif text with bold condensed sans-serif section headings and expressive script chapter titles. Inset italic Scripture passages and upright references distinguish the quotations; small-cap running heads and centred bottom folios guide the surrounding prose.
Single-column prose is organised by centred uppercase headings, italic numbered subheadings and smaller headings marked with a small flourish. Numbered and bulleted lists align their continuations beneath the text. Inset italic scripture quotations carry separately placed references and small-cap translation labels. Small-cap book and chapter running heads alternate above centred folios.
Bold sans-serif subheads and numbered steps give structure to the long serif text. Dialogue stays in the main paragraph style, while longer quotations are inset; tables of figures and hanging lists fit within the same page measure. Small-cap running heads identify the book and current chapter.
Centred capital headings introduce numbered themes within the single-column text, while smaller spaced-cap headings mark individual steps. Scripture passages are set as inset italic blocks with their references attached. Numbered recap questions, italic emphasis, small-cap book and chapter running heads, and centred folios give the teaching a clear reading sequence.
Personal accounts and dialogue remain in roman serif type, contrasting with inset italic Scripture. The verse extracts preserve line breaks, indented continuations and right-aligned references within the narrow page measure. First-line paragraph indents, small-cap running heads and centred page numbers keep the commentary easy to follow.
Justified single-column prose uses indented paragraphs, with condensed uppercase subheadings marking changes of topic and numbered steps. Smaller, lighter subheadings introduce a further level within the discussion. Scripture quotations are inset in italics, with separate references, small-cap translation labels and occasional bold emphasis. Small-cap running heads alternate the book and chapter titles above centred folios.
This compact booklet uses a narrow serif measure with inset italic scripture and prayer passages. Paired statements are centred and emphasised in bold, while a short numbered list uses hanging indents. Small-cap running heads and centred page numbers carry the same quiet structure through the booklet.
Centred italic chapter titles and short rules introduce the sections of this small-format booklet. The serif body text is interspersed with inset italic scripture, bold spoken affirmations and carefully indented bullet and numbered lists. Small-cap running heads and centred folios tie the short chapters together.
Chapter openings combine an italic chapter number, a large serif title and a fine horizontal rule above a drop capital and small-cap opening words. Within the chapters, italic subheads and indented scripture distinguish the different levels of text. Short numbered lists and occasional source notes fit the same single-column page design.
Indented serif prose is broken up by bold sans-serif subheadings, bulleted explanations and a numbered recap. Longer scripture extracts use inset italic paragraphs with right-aligned references. Spaced capital running heads distinguish each part from its current chapter, above centred page numbers.
This compact teaching book combines single-column serif prose with bold narrow sans-serif subheads and smaller bold italic headings. Scripture quotations are inset in italics, with bold italic phrases marking selected emphasis and references kept alongside the passages. Small-cap running heads distinguish book and chapter, above centred folios and consistent paragraph indents.
The booklet keeps a continuous, justified serif text column with modest paragraph indents. Italic scripture phrases stand out within the opening discussion, while later biblical references remain in the prose. The full title repeats in spaced capital running heads above both pages, with centred folios below.
Centred capital subheadings divide the serif commentary, with italic Scripture passages and prayers set apart from the main text. Chapter openings use a small chapter label, fine rule, large italic title and drop capital. Running heads and page numbers sit towards the outer edges of the spread.
English nonfiction typesetting uses a single column of serif text with indented paragraphs, small-cap running heads and centred folios. Italic biblical quotations, inset extracts and small-cap subheadings distinguish the supporting material; a labelled triangle diagram and compact footnotes fit within the same page structure.
A single serif text column is broken up by spaced capital subheadings and inset italic Bible passages. References sit at the ends of the quotations, while alternating book and chapter running heads guide the reader through the longer sections. Centred folios and generous outer margins keep the pages open and consistent.
Chapter openings pair a small-cap chapter label and short rule with a large italic title and a drop initial. The single-column serif text distinguishes Scripture in inset italic blocks, with references aligned at the end; longer passages retain their verse line breaks. Numbered lists, small-cap book and chapter running heads, and centred folios organise the compact pages.
This short book alternates first-line-indented serif prose with inset italic Scripture passages separated by space. References sit at the ends of quotations, with small-cap Bible-version labels where shown. Longer quotations continue across facing pages, while small-cap running heads distinguish the book from each chapter and centred folios sit below the text.
A narrow single-column measure carries the discussion, with indented paragraphs and inset italic scripture quotations. Small-cap translation labels sit at the ends of the quotations. Chapter openings use a centred spelled-out number, a short rule and a small-cap title, with a tall initial starting the text below. Alternating small-cap running heads and centred folios keep the pages consistent.
Chapter openings pair a calligraphic chapter label with a bold condensed sans-serif title and a calligraphic initial. The narrow single-column text uses bold condensed subheadings, indented paragraphs and inset italic scripture quotations with separate references. Bold and bold italic phrases distinguish selected statements and numbered guidance. Small-cap running heads and centred folios retain a consistent page framework.
A narrow single-column measure carries indented prose, with italic phrases distinguishing quoted words and key terms. Longer scripture passages use an inset italic measure, with references aligned at the end. Numbered lists give wrapped lines a hanging alignment. Small-cap running heads alternate the book and chapter titles, with centred folios below.
English workbook typesetting combines serif questions and commentary with bold sans-serif study headings. Ruled answer spaces, numbered subparts and clearly aligned answer-and-mark tables give the course its practical structure, while separate memory-work prompts and hanging-number explanations keep exercises and reference material distinct.
This short book uses centred chapter labels, fine rules and italic titles above drop-cap openings. Small-cap subheads organise the narrow serif text, with Bible extracts set apart in indented italics. The alternating book and chapter running heads remain separate from the centred folios below.
Chapter openings combine a centred chapter label, small ornament, large serif title and outlined decorative initial. Within the compact text pages, bold step headings mark the practical sequence, while inset italic Scripture retains its verse line breaks and right-aligned references. Small-cap running heads and centred folios complete the layout.
English teaching-book typesetting in Arno combines a single-column serif text with bold condensed sans-serif section headings. Inset italic Bible passages, upright references and occasional bold italic emphasis distinguish quoted material from the commentary. Small-cap running heads and centred bottom folios give the compact pages a consistent framework.
Single-column prose is paired with indented italic scripture quotations and separate references. Chapter openings use a large numeral, a fine horizontal rule and a sans-serif title, followed by a tall initial; the summary adds hanging bullet points. The journal section switches to sans-serif prompts and ruled writing spaces, with italic quotations below. Small-cap running heads and centred folios continue across both sections.
The journal edition combines indented serif teaching text with inset italic scripture passages and calligraphic subheadings. Small-cap headings divide the discussion into practical themes. Decorative breaks lead into italic reflection questions and widely spaced ruled writing areas, while running heads and centred folios continue across both reading and response pages.
Calligraphic subheadings and a compact bulleted recap break up the indented serif discussion. Scripture passages sit in inset italics with right-aligned references, separated from the surrounding commentary. The title repeats in spaced capital running heads, and centred folios keep the short booklet easy to follow.
Indented prose and inset italic scripture quotations share a narrow single-column measure, with references placed on separate lines. Chapter openings combine a condensed chapter label, a small ornament and an italic title above a tall initial. The closing recommendation pages arrange cover images above short descriptions and compact publication details. Small-cap running heads and centred folios guide the main text.
Decorative flourishes flank the chapter numbers above light sans-serif titles. Drop capitals introduce the chapters, and smaller sans-serif subheads organise the serif body text. Inset italic Bible passages, right-aligned references and small-cap running heads provide a clear distinction between quotation and discussion.
A compact single-column serif setting carries the commentary and dialogue, with first-line paragraph indents and selective italic emphasis. Longer Scripture quotations are inset in italics, separating them from the surrounding prose; small-cap running heads and centred folios provide quiet navigation.
Short Psalm meditations pair centred titles and a harp ornament with inset italic verses and outlined opening initials. Bold italic ‘Faith’s Response’ headings introduce the closing responses, while the single-column serif text, running heads and centred page numbers keep the repeated format consistent.
Single-column serif pages use italic subheadings and smaller capital headings to distinguish levels within the discussion. Longer Scripture quotations are inset in roman type with separate references, while shorter quotations and italic emphasis stay within the prose. Small-cap running heads and centred folios support navigation through the continuous text.
Decorative chapter labels sit above left-aligned serif titles, fine rules and outlined opening initials. Italic subheadings divide the commentary, while longer Scripture passages are inset in roman type. Section and chapter running heads, together with centred folios, make the book’s divisions visible across the compact spreads.
Large chapter numbers and a short horizontal rule lead into centred small-cap titles. The compact serif text uses inset scripture quotations with hanging lines and right-aligned sources. Small-cap subheadings divide the argument, while an unruled three-column table compares judgement, place and time; running heads and centred folios remain consistent.
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Individual volumes and editions are listed separately. The collection grows as we add more of our work.
